Blick Bassy

Born in 1974, singer, songwriter, guitarist and percussionist Blick Bassy grew up with 20 siblings in Cameroon’s capital Yaoundé. Blick Bassy started his first band, Jazz Crew, when he was 17. Playing a fusion of African melodies, jazz and bossa nova, Jazz Crew quickly became the most sought-after group in the city. In 1996, he formed a new band called Macase. During almost 10 fruitful years Macase released two acclaimed albums, Etam (1999) and Doulou (2003), as well as picking up various regional and international awards, including the RFI Prize for World Music (2001), Best Group by MASA (2001), Best New African Group by the KORA Awards (2003) and the CICIBA Prize (2003). Then in 2005, Bassy decided to leave Macase and he moved to Paris where he started working with Manu Dibango, Cheikh Tidiane Seck, Lokua Kanza and Etienne Mbappé. A few years later he signed to the World Connection label and he finally got to do work on his solo album, Léman. About the album he says: “I’ve been creating and carrying some of these songs around in my head for the past five years. Every detail is a part of me. It feels great to have been able to record them now and share them on stage. The song ‘Bolo’, for instance, is about having to leave your country and missing it. Lots of Africans have to move away from their hometowns to make a living. I’m the perfect example. But I also enjoy my travels to other places because I’m always looking for musical encounters. One of my trips took me to Mali and other West African countries. The Malian griot music is very present in the instrumentation (kora, ngoni), harmonies and melodies of this album.” Léman was recorded in Salif Keita’s studio in Bamako, Mali, and in Bassy’s current hometown of Paris, and co-produced by Jean Lamoot (known for his work with Souad Massi, Salif Keita, Nneka and Kasse Mady Diabaté) and Jean-Louis Solans. Blick continues, “Musically it’s interesting to use Bassa. Its specific intonation determines the melody. When I sing in Bassa, I make use of the proverbs in which the Bassa express themselves. They often have a literal sense but also a deeper meaning which you will only understand when you are initiated. For example, in the song ‘Masse’ I talk about ‘the owl that scratched my forehead’ which means as much as you’ve been struck by misfortune. But it won’t get me down because I feel I’m well protected by my forefathers!”

Hongo Calling
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